"It's not your position in Life that counts.
It's your disposition!" - Yuri Kochiyama
It's your disposition!" - Yuri Kochiyama
WHAT DID YOU DO IN THE WAR, MOMMY?: KOCHIYAMA'S CRUSADERS is sponsored by Fractured Atlas, a 501(c)(3) national non-profit artist service organization. A PORTION OF YOUR CONTRIBUTION IS ELIGIBLE FOR TAX DEDUCTION! You receive a receipt when you donate ANY amount. See sidebar for perks!
We welcome feedback, comments, future interviewees and volunteers! Please also visit us at KOCHIYAMA'S CRUSADERS: THE FILM and contact us at memoircity@gmail.com. Follow us on Twitter @Kochiyama_Film. Please "LIKE" us on Facebook at https://www.facebook.com/CrusadersFilm
(L-R) Linda Wang, Pisha Warden, Connie Kim and Chanelle Yang (BITS OF PARADISE - The Marsh Theater)
WHAT DID YOU DO IN THE WAR, MOMMY?: KOCHIYAMA'S CRUSADERS will weave together moments of History, Art, Activism, Love and Passion to honor The Crusaders. Led by future civil rights activist and Nobel Peace Prize nominee Yuri Kochiyama (née “Mary Nakahara”), these girls and women of the World War II Japanese American internment camps embarked on a war effort that boosted the morale of “any soldier in need of a letter.”
IT'S TIME TO MOVE THESE HEROINES OFF THE CURB
AND PARADE THEM DOWN MAIN STREET!
Mary Nakahara with kids at Camp Jerome.
WHO WERE THE CRUSADERS?The Crusaders was the brainchild of 20-year-old Mary Nakahara who birthed the movement during her internment at the Santa Anita Assembly Center at the start World War II when her future husband, Bill Kochiyama, told her that he felt sorry for his fellow soldiers who were not getting any mail.
The euphemism “assembly center” was coined by the U.S. Government for the makeshift barebones prisons where Japanese Americans were forcibly held under President Roosevelt's Executive Order 9066 while the country was at war with Japan in 1942. Later the "internees" were moved into U.S. concentration camps located in desolate areas.
Internees were American, not Japanese. Their only "crime" was Japanese heritage.
WHAT'S UNIQUE ABOUT THIS FILM?There has never been a film about The Crusaders. They disbanded on V-Day and like the iconic Rosie the Riveter, stepped back into more traditional supportive roles as their heroes returned.
By the time we interviewed her at age 87, Yuri Kochiyama had married the love of her life, presided over a large family, lost loved ones, held Malcolm X's head while he died, participated in countless protests and was writing morale-boosting letters to 200 political prisoners. And she had been nominated for a Nobel Peace Prize.
THE FILM
We began shooting in '08 and are seeking completion funding in three more phases. Structurally this layered film will:
*Honor The Crusaders who were all ages and included women who primatily helped mass produce these Missives of Hope (e.g., church secretaries with mimeographs).
Connie Kim (BITS OF PARADISE, Marsh Theater production)
*Focus on the bond that developed between marriage-age women and soldiers
through these often surprisingly lighthearted, poetic, sometimes silly,
flirtatious cards and letters. Contrasting youthful desires with the
harsh reality of war.
*Examine how Japanese American women's cultural roles changed via World War II--what remained of those changes after the War--and what legacy The Crusaders left behind for future generations of women.
(L-R)
Gloria Steinem, Aileen Hernandez, Dolores Huertes, and Yuri Kochiyama
("Four Legends" Panel, Engage Her Conference, Berekely, California)
*Extend History through Art by intercutting real-life moments with moments from Marlan Warren's play BITS OF PARADISE (inspired by The Crusaders Scrapbook in the Los Angeles Japanese American National Museum).
From
(L) to (R): Pisha Warden, Linda Wang, Chanelle Yang, Jean Franco, and
Connie Kim. BITS OF PARADISE (The Marsh Theater, San Francisco)
How Your Contributions Will HelpThe film is being made in 4 proposed phases. Phase 1 has already been accomplished. We have logged over 40 hours of shooting time and already have a significant amount of material.
Your donations will go towards completing Phase 2. Production costs include crew and equipment.
We still need to accomplish the following before post-production can begin. Here's our wish list. Whatever isn't accomplished will roll over into our Phase 3 Campaign. Phase 4 will aim for post-production costs to make a rough cut and final edit.
- Pickups at the Japanese American Museum in San Jose with the "second" Crusaders Scrapbook donated by Ruth Ishizaki (creator of both scrapbooks), including any additional interviews in the Bay Area.
- Interviews with more surviving Crusaders and Japanese American World War II veterans; internment artists; and Asian Studies/Women's Studies professors or authors. Most will be interviewed in Los Angeles area or by Skype.
- A
shoot at the Japanese American National Museum covering The Crusaders
scrapbook existence in its archives and how intiial research was made in
2001.
- Shooting moments from the play on a sound stage or theater plus recording audio moments from it to intercut with moments from the original performance and real moments from interviews and historical archival footage.
- Editing the next Indiegogo Campaign pitch trailer. We still have to pay for this one!
Who We Are
(L) Marlan Warren (M) Yuri Kochiyama (R) Ruth Ishizaki
Opening Night: "Bits of Paradise" (The Marsh Theater)
Opening Night: "Bits of Paradise" (The Marsh Theater)
"BITS
OF PARADISE places its footprint on the timeline of a much needed
theatrical examination of the Asian American journey." - Asian Week
Hello there!
I'm Marlan Warren, the Executive Producer, Writer, and Co-Director for WHAT DID YOU DO IN THE WAR, MOMMY?: KOCHIYAMA'S CRUSADERS. In '01, I began researching The Crusaders scrapbook at the Japanese American National Museum and received permission from the museum to adapt the material for an educational play. For the full story on how this play grew into a film, please visit our website at KOCHIYAMA'S CRUSADERS: THE FILM.
When I interviewed Yuri, I asked, "What motivates you?" She replied, "When I see things that need to be corrected."I ask myself the same question. I did lose family members at the World War II Auschwitz concentration camp and my father fought in that war. But my interest in the Japanese Internment ignited in '95 when a friend showed me the letters his uncle had written to his interned family before he was killed in the famous battle depicted in the film “Go for Broke," and it made a huge impact on me.
Most importantly, what has driven my passion for this project is my admiration for The Crusaders and Ms. Kochiyama who had me at...
"CARRY ON"!
Meet the Team!
Los Angeles Area UnitOur SoCal crew is small but determined! We will increase in number with your donations, expediting the completion of this film.
Co-Producer/Co-Director/Scriptwriter: Marlan Warren - A filmmaker and graduate of USC Film School, Warren's independent films have been shown at international film festivals. As a journalist, playwright, novelist, and blogger, her themes often address multicultural issues. She is a graduate of USC Film School (Screenwriting).
Line Producer: Tom Tsuji
A U.S. Army veteran and Los Angeles native whose family members were interned at Manzanar, Tsuji brings not only deep feeling for the project, but also his extensive management experience and marketing skills.
A U.S. Army veteran and Los Angeles native whose family members were interned at Manzanar, Tsuji brings not only deep feeling for the project, but also his extensive management experience and marketing skills.
Editor:
Lindsey Myers – Very busy professional editor whom we are lucky to have on board. In collaboration with writer Marlan Warren, Myers created this moving first pitch video trailer. She is co-owner of Almost Fairytales Films.
Lindsey Myers – Very busy professional editor whom we are lucky to have on board. In collaboration with writer Marlan Warren, Myers created this moving first pitch video trailer. She is co-owner of Almost Fairytales Films.
Bay Area UnitAfter
logging 40 hours of shoots, our Bay Area Crew has mostly disbanded.
They worked tirelessly with good humor, contributing professional skills
and devotion. Hopefully some can join us for the next Phase. For more info, please visit our website at KOCHIYAMA'S CRUSADERS: THE FILM.
Co-Producer/Director/Camera: Chong Lee
Co-Producer/Writer: Marlan WarrenSecond Camera: John Quick
Sound and B-Roll Camera: Ryan Carbrey
B-Roll Camera: Nani Walker
Sound and B-Roll Camera: Ryan Carbrey
B-Roll Camera: Nani Walker
Jumping Barbed WireWhy we need stories of fearless risk-takers and history-makers like The Crusaders and Yuri Kochiyama
We'd like to share with you the following statistics from the ALICE WALKER: BEAUTY AND TRUTH Indiegogo Site:
"Funding
independent film is an uphill climb at the best of times but for women
it is no picnic. If we look at the startling fact that only 7% of
directors, 13% of writers, and 20% of producers are female, it’s not
hard to see what we are up against. Given such a dearth of female
representation behind the camera, is it any wonder that we continue to
struggle to find funding for female stories and voices? We want all
women and girls to be empowered, to believe in their own voices and
their own truths."